It's Saturday and you play your Haydn sonata, the second and third movements, over and over in pieces on your maestro's divine grand piano. He whizzes through the trio you are going to play together.
You walk out onto the street, pooped.
You sit in a bar where the internet connection is so much faster than the Fred Flintstone pace you have in the sticks.
You spend two hours on just one ginseng coffee. One euro thirty.
There are lots of flashy families about. Men who've thought way too much about they're going to wear.
And they are wearing it.
You read the words to the Frost Scene in Purcell's King Arthur, which on the CD you've never been able to decipher.
What power art thou, who from below, who from below,
Hast made me rise unwillingly and slow,
From beds of everlasting snow?
See'st thou not how stiff and wondrous old,
Far, far unfit to bear the bitter cold,
I can scarcely move or draw my breath
Let me, let me freeze again to death.
You realise this music was created in the late 1600s and it kills you.
On the way back to the car a very nifty Nigerian beggar called Kevin asks you for his fare to Bari. Says he came up here looking for work for the vendemia - grape-picking.
You tell him the vendemia was over ages ago and you admire his crocodile tears.
You know exactly how much petrol is in your tank.
Some hours later you park the car in another city, the evening is closing in. You pass by a Pentecostal church milling with Ghanaians in green printed shirts, all of them the same material.
Your eyes fill with tears.
You walk into town with mates, walk through the people, over the cobbles. You try on those boots you've been ogling as much as you would ogle a man. More perhaps.
In a bar an old painter who has had a very bad accident tells you you are a fairy and he wants to paint you.
You are led up to the bar on the roof of the Basilica, unexpectedly. You are invited to drink by some rowdy men from Emilia Romagna, one of whom has a chequered blue and white sweater which is a little startling.
The setting is flawless. Palladian sculpted statues are set along the balustrade, each naked stone body hoisted upright by curved iron supports that look like bondage devices. The light is rosy on the broad stone wall reaching up into the copper dome against the night.
Somehow, they have made your night.